returning with a second cut shortly after their first release, untzz brings more sonic artistry and club tools to another heavyweight slab of wax. inspired by the awesome people of adelaide and their commitment to the dance floor

deadly poison is the fourth installment of st petersburg-based producer sanys on discerning downfall theory series. retaining to the a/b format and treading a heady, analogue-hued line with releases thus far on predecessors control freak / event horizon, forward thinking logic and daily situation which supported a stunning rework from chicago-based, detroit-born producer alex israel, deadly poison continues to march on in gritty, idiosyncratic fashion only this time fractioning off and multiplying into four distinct, yet symbiotic floor workouts. on the a-side hired guns kicks off with no-holds barred, full-on weighty bass weaponry before grab them back in reins things in, just a little: a dystopic soundtrack full of clanging machines rung through with the filmy dread of a waning humanity. on the b-side concern continues in plain rude as distorted vocals are twisted into evil barks and plied with itchy hats to warning chimes and a bounding bassline in this weird and wonky builder. down and dirty then concludes—as the title suggests—in deep, raw analogue terrain. having already caught the attention of people like blawan, rivet and brendon moeller, deadly poison consolidates sanys skills as a one to watch maker of provocative, sensitive and fiercely independent dance music.

few people stand for a real underground approach to techno like adam x does. for over 20 years he has been right in the center of the scene. before moving to berlin he ran the sonic groove record shop in nyc for 15 years. the sonic groove label also owned by adam is still a dominating force in the scene and has released music of legends like abe duque, blake baxter, frankie bones, kevin saunderson and many more. with djing, producing music adam in recent years has received a lot of support from people like chris liebing and many others for his productions as adam x as well as for his aliases traversable wormhole, admx-71.adam’s sound is dark and heavily influenced by his passion for industrial and old school ebm music. with coercive persuasion on the a-side he combines these influences with a functionality that can only derive from his extensive touring as a dj and live act. it is a dark anthem that will destroy all real techno floors. no doubt. the b-side deprogramming sequence comes along with driving bells that give the stomping beat of the track a little uplift and therewith balances out the heavy dark side of the ep.

snw01 contains some previously unreleased cuts from labelowner kastil. where he never thought of releasing this before. he rapidly changed his mind after seeing the reactions to these cuts at his gigs.after several people requesting a release of the a side rush he decided to press them up to serve his loyal followers. these are two rough, peaktime house jams which have a mesmerizing effect to them. the vocal in gather up! is the perfect example. these are two underground slammers, produced with class and in high demand

vertigo is the a side on this four track ep by roberto capuano that uses reverberated kick drums and piano chords to create a groove that was designed for peak-time play. the second track, inversion uses rising and filtering synths with the use of space and influxes of pitched hi hats and percussion loops to create a 5am track that will keep people rooted to their spot. new chapter uses a repetitive percussion-like stab to keep the deep atmospheric sounds together over the industrial techno drums. the final track earth uses phased sporadic stabs to create an interesting groove that compliments the driving drums that are ever present

there once was a scene up in boston, where things werent nearly so awesome. so the kids went to cambridge where people have knowledge and there the dance music did blossom!

little do people know that coober pedy is an opal rich town buried deep within the red and arid outback of south australia. lewie day (aka tornado wallace) and tom moore may be from melbourne, but the duo make up the coober pedy university band, coining the term krautback to describe this moon plain ep. drawing upon italo synths and mid-tempo balearica as inspiration, the first release comes in 10 form via soft rocks kinfolk label. the reverb washed australian crooner chet faker appears on the title track moon plain alongside heavy struck piano chords, while sentenced beyond the seas is a flow of groggy atmospheres and downtempo beats. oblong is the the eps stand out italo track with short bass arpeggios a highlight, while soft rocks acperience mix of moon plain takes on an acidic and space western theme.

following the success of last years first two editions, dont be afraid return for record store day 2013 with a third and fourth 12 inch combination of spargel trax releases, celebrating the dual themes of great seasonal music and great seasonal spargel. the contribution of tracks from certain bona fide legends, who appear under the now familiar spargel-related pseudonyms as well as some incredibly talented new comers, meant that it was impossible to pass up the chance of working on a third and fourth volume. both releases are limited to 280 hand numbered copies, and come on orange coloured and marbled vinyl with a recipe insert.

the rekids-affiliated pyramids of mars imprint is set to really take off in 2013, with a string of unique releases already in the pipeline. for this special remix package, label bosses matt edwards and james masters have brought in nyc house legend joaquin joe claussell to re-imagine the machines debut album redhead from 2010. but make no mistake, this isnt any ordinary remix project all the tracks have been reproduced, rewritten, dubbed, performed and mixed by joe, with the help of a group of musicians.

nachtstrom strikes back with this amazing ep by kostas maskalides featuring smashing remixes by forest people, hackler & kuch and adam jay! limited collectors edition on blue transparent vinyl.

the vinyl lp comes with a download code.
a real sense of drama is a thread that runs through solar bears music, supermigration, their second album following 2010s critically lauded she was coloured in is full of all kinds of drama – from the intimate to the psychedelic, from the chase to the suppression. this time it has been taken to a new level in all kinds of ways.

in den 12 songs ihres mittlerweile fuenften albums fuehren glutamat wieder eine neue, weiterentwickelte variante ihres vergnuegten taenzchens mit der leichtglaeubigkeit auf.die musikalische bandbreite reicht von trocken-brutalen garagenpunkkrachern ueber bizarre exkursionen in den krautrock bis hin zu gefuehlvoll verlogenen liebesliedern, die ohnehin nur vom tod aller beteiligten handeln. die lp kommt auf fettem 180-gramm vinyl, auf 300 stueck limitiert, in einem hervorragenden, wunderschoenen und handgedruckten cover, cd-version inklusive.

wonder wet records is proud to announce the return of the production of one of the most eclectic and respected italian djs, claudio fabrianesi. esteemed in his hometown rome, where he plays every saturday for alchemy at the vicious club? two stylistically opposite songs, but with one thing in common: the quality. cosmic kabul, on side a, is a pearl for any cosmic genre lover, the track contains multiple musical influences and people will talk about it for a long time. warm reaction, on the b side, is a deep journey into a more mental techno, but with also groove. a record that will make the difference, an absolute must!

first pressing in dark red vinyl! in remarkably short time, van bonn has developed a well-deserved reputation as a forward-thinking dub music producer. he is tying up electronic listening music with dance music structures for the german label telrae and trapez since 2011, but his newest invention van bonn01 is another step forward. van bonn records now for the first time provides him with a platform, that is his own. it is a sound laboratory pushing his ideas as well as giving him the possibility to feature like minded people. the first edition on vinyl, comes in dark red with a nice artwork. gradient (cph dub) shows a new side with van bonn, expressing a certain form of industrial & romantic privacy in a very radical way. his epic 12 minute track explores the time and space continuum in ways of symmetry. this is a perfect extension of what we know from various dub techno productions of the past. rich filtered delays balanced with a monotony of a mighty & distant beat, makes it an hypnotic piece of music. gradient in its original version is the more hardish and forceful..companion of the a-side, being more raw an direct. van bonn uses here a lot of fx sounds to build a bubble which perfectly embeds the stomping machine liked beat. the >do not resist the beat< owner milton bradley and artist on prologue (and more) has delivered a remix of >gradient< in his genuine style avoiding commercialism and creating his own atmospheric, claustrophobic, cinematic style of techno. listen here to his remix for van bonn.

incl brise012, brise014, brise018 & brise020lp.. strictly ltd to 20 copies!

sascha braemer is back with his first solo-ep on stil vor talent since his massive 2011 hit people. teaming up with friends old and new, the result - animal instincts - is simply stunning as braemer showcases the versatility of a producer at the top of his game and an ability to think outside the box. kicking things off, the eps title track features the iconic jake the rapper on vocal duties.

26 year old julien perez was the former frontman of french band adam kesher (2007 - 2011). he writes and sings now in french. his songs are urban, ethereal, nocturnal soundscapes, infused with a sweaty variete touch. the way he builds his tracks is tense and sensual, reminding of christophe and la perversita lyrics, as much as of border community label and invisible conga people productions. perez will release his first ep in february 2013 on dirty. it has been produced by pilooski (discodeine, tristesse contemporaine), already supported by laurent garnier and tim sweeney.

crisis in techno music? theres none, because of new projects like woo york. they connect people from east & west with floor-minded tripping techno sound. planet rhythm presents conceptual techno made in ukraine. trip from baikonur is beginning of big phenomena. now its time to refresh your ears and imagine yourself standing in the middle of berghain dancefloor. witness it or die trying.
blue / grey marbled vinyl pressing.

in the great tradition of count ossie, four new grounation furies - hypnotic, thunderous, urgent, mystical - with dubwise repeta, funde and bass drums embedding the light of saba veterans gorgeous trombone classicism.
the opener is a rocking kumina rhythm, with ring-the-alarm metal percussion and exhortatory brass, free the people swirls some apocalyptic reasoning into the foggy, thumping mix. universe in crisis is another emergency call, chuffing headlong down the grooves ... before the beautiful, anthemic chant takes a step back from the fire, closing with a sense of thankful, spiritual reconciliation, the expert drumming and lyrical bone-work in full effect.

zum 50. jahrestag der unabhängigkeit jamaikas startete das label kingston sounds die compilationserie *listen up!*, die sich mit diversen stilen jamaikanischer musik beschäftigt. dancehall entwickelte sich zu beginn der 1980er-jahre auf der karibikinsel. der reggae-beat verlangsamte sich und rückte zu gunsten des sängers oder deejays in den hintergrund, später digitalisierten sich die beats zusehends. *listen up - dancehall* stellt einige der klassiker der frühen dancehall-Ära vor, u. a. von cornell campbell, don carlos, johnny clarke und dennis brown. listen up and enjoy!

so here s the second maybe tomorrow me and jon are pretty happy about this the theme s the same, all about sharing seeing as the music will do a better job of explaining itself than i will, i ll let it do the talking and i hope you enjoy this as much as we do.

kris wadsworth released his debut album life & death on get physical music last fall to much acclaim. the released marked a milestone in the artists career, pushing him under the spotlight, and into the welcoming arms of new fans.

after sweating out the winter heatwave generated by chris mitchell and grey people with proper trax 4, alex falk distills a purified form of techno from the often unnecessary complexities of the style. terse—the fifth limited twelve from proper trax–further solidifies the labels unflinching commitment to the rough n tough sounds of the southern us underground. dont sleep, as this one is aimed to take its place in the record bags of the globes in-the-know heads. measure ones approach for a drastic result.

enigmatic artists from eastern europe had a ace in their sleeve when they came out with the project of suburbs. they come up with the most mystical sound for their first ep on archipel under “plaeisii.” the strange classical texture swirl with a very lush rhythm that at first, appear to be extremely predictable but then, as you listen carefully, you get caught up on the most capturing pattern. the main song as well as amorf both are music for the soul and will be played in very special moment that will have people close their eyes to enjoy the shifting mood.

albinos has now been meaning to open communication channels with the baka pigmy tribe for quite some time, sadly to mixed results… this indeed represents a rather difficult task considering their take on the devil is a tall white man graced with white hair and red eyes! even though the baka people is a peaceful one, the legend goes that if they were to catch that albino devil, they would gut its organs out and turn those into an aphrodisiac concoction. strangely enough, albinos believes that his music just might be the best language to turn those antagonistic feelings into a communion, he even dreams of performing his tunes to the whole tribe, deep within the jungle, surrounded with exotic birds and the most hungry kind of predators! somewhat at times on the verge of irony, his music definitively trades with sketchy, raw and deep emotions, always sincere in the making: always a few steps away from the pre-shaped house and techno idioms, he offers his very own take on dance music, a most peculiar one. solely using old cheap hardware and an antique atari, the tracks at hand are one-take live performances, brutal incarnations of albinos simple virgin vision. as the quest for the baka people goes on, the antinote team is proud to help shed light on the journey of this obscure producer hailing from the grand north.

people have all the power - they just have to remember it, findet steve mason und sorgt mit seinem neuen eklektischen meisterstück *monkey minds in the devils time* für revolutionären wind in der flaute der aktuell doch sehr unpolitischen popwelt. das neue album besticht nicht nur durch seinen inhaltlichen tiefgang. dass der ex-beta band sänger mason auf stolze fünfzehn jahre erfahrung als musiker zurückgreift und produzent dan carey (hot chip, bat for lashes) seine finger im spiel hatte, merkt man dem album an. das glanzstück *monkey minds in the devils times* ist an musikalischem facettenreichtum zwischen pop, indie und elektronik kaum zu überbieten.

we never forget our roots here at idle hands. for people of a certain age the wild experiments of jungle and dnb remain close to our hearts. whilst scenes, sounds and trends may wax and wane that visceral feeling of chest rattling bass is something we hold on to. rhythmic theory is one producer who like us, never forgot. here we present two tunes deeply indebted to those times. it must be stated though, you will not find any amen breaks or ragga samples here, instead, this up and coming bristol producer transposes the atmospheres and deadly subs to a techno template. *legacy of the lost* and *riveted* follow on from two well received vinyl only release on brstl and his own self titled label. both tracks are immaculately crafted hardware jams that are designed solely with sound system use in mind.

the detroit threads record store has survived in one incarnation or another for more than16 years. in this time personal relationships have formed with music makers of every circle over the common bond of vinyl sound. it was a logical step to give back to this community a product that reflects the many faces that make up the store. a store that has been and will continue to be a hub for the exchange of ideas, kept alive by like minded people who still believe in the independent detroit spirit. this spirit shines upon the unique artists that move to their own beat, and never compromise their vision. detroit threads gives a voice to these artists that should be heard. nospectical is walter wasack, jennifer paull, and chistopher mcnamara. they are a team of detroit sound artists that lean into e.d.m. on the minimal tip. their comfort zone is inside of a sounds cape near the sphere of unconsciousness. nospectical is a cool dark breeze that is alive with a pulse. they tread into strangeness and let it come together to form a neurotic world. nospectical works to broaden the view and redefine the depth of detroit techno. detroit threads is proud to support this cause.

after inigos well-received previous release >the shard<, he now steps up again with 2 epic pieces of electronic beauty.
i still find it hard to describe music after all these years, as i think the most important is what people feel when listening to it rather than pigeon holing the hell out of it. i simply love it, hope you do too. (kr!z)

nachdem panthera krause die letzten jahre rauchend am fenster stand und als teil von marbert rocel und karocel die boxen eurer soundsysteme abklapperte, releast er nun mit yorikke sein solo-debüt auf riotvan, welches als auf 300 exemplare limitierte 12 inch erscheint. drei tracks machen mehr als deutlich, dass panthera krause den groove zu boden ringen kann, um diesem dann flink ein mit disco- und house-perlen verziertes halsband umzulegen. ihm gleich tut dies der remix von llewellyn aka lake people. panthera krause auf riotvan - toll!

another arm of chez damiers multi-limbed balance alliance, courtesy of balance inaugurate a new series of 12 inch compilation releases with cob 3, arriving on limited edition transparent vinyl...

amazing release feat three remixes of bigfires *general of the universe* on the japanese label of the same name. the a-side is courtesy of none other than robert armani in full chicago-style jackin effect, it is a bomb people, be warned! flip over for deeper but still epic remixes from hawkinson and beroshima, all packaged in a really cool full-colour picture sleeve and everything adds up to a record that is not to be missed.
pressing on translucent vinyl, smokey blue marbled.

one per customer ! this pack is no! repress. this is something against the horrible high prices people need to pay now if they want some of the vinyls from the backcat!
you know about this!
this pack is not for the sellers!
this pack is for the lovers, the people who cant pay up to 100 bucks for a single record. this is against the bling bling a lot of people are doing with this records!
this pack is against the hype!
repeating: this pack is for the lovers!!

package contains 12 records in 180 gramm black vinyl in a folding book box.
limited, handnumbered and handstamped packs.
2 records will only be available in this box.

wegen Übergröße der verpackung ist keine lieferung an dhl pack stationen möglich.due to oversize of the packaging no delivery to dhl pack stations.

Ø phase remixes. not many people get the chance to remix robert hood, but Ø phase (token) got the stamp of approval from the master. the original is also included and gets the full a-side!

2xlp , incl cd... rundes elektronisches housealbum der eigenen art. daumen hoch.

christopher rau has been impressing people since a while! here three tracks that impressed the junk yard connections crew a while ago on a mix tape, not knowing what it was, or who it was! finally they tracked down its origins and found out that it was unreleased tracks by christopher! now finally these tracks see the day light! inter alia, *the green bean*, which has some of that sexy swampy house vibe like theo parrish or stl can do. on the flip its *some song* with its more techier vibe, somehow with an atmosphere reminding of model 500s classic starlight. and last but not least the b2 track no chatter with its up beat house vibe. amazing tracks that are the first tracks on the label from outside the jyc crew. tracks that are here to stay on valuable wax. another cool junk yard connections release.

disko404 is a long-established promotional crew based in graz, austria, whose renowned monthly events are all about celebrating the bass in dubstep, funky, house, juke, grime, hip hop, electro, and experimental sounds. in 2012 they branched out as a record label, launching with a well-received split ep from sun people & franjazzco, followed up by simon/offs *take it back* ep. the labels third release comes from legendary broken beat and drum & bass producer colin lindo, aka nubian mindz, aka alpha omega. the man needs no further introduction as he is known for his brilliant releases on labels like reinforced, 2000black, archive, delsin and many more. *hacker wacker* is hypnotizing with sharp beats and a dubby, bleepy, broken techno vibe ready to take you on a sweaty late night trip. *vox & cymbal* is true listening bliss, a timeless tune centered around warm detroit chords, downpitched vocals and spiralling synthlines, sending you on a dream-like journey. vinyl pressing strictly limited to 250 copies only. early support from scuba, untold, and 2562.

some people do music as a hobby, some people take it as a job, and some people just live for it. eduardo de la calle has been producing and releasing techno music around spain and europe for more than 16 years. a real veteran in the techno music scene, he has lived and worked in numerous cities developing his own projects throughout the years: lots of hours behind decks and in production studios. eduardo has an enormous potential, his love and passion for music, his production and his dj sets, deep and full of intensity have earned him a lot of respect.
limited 12 inch pressed on clear / translucent vinyl (no label paper on vinyl) & served in black innersleeve!

vinyl only! limited to 100 pieces! its house! – raw and dirty with a touch of jack! mr. adalberto provides three tr-909 driven trax, produced on real hardware for real people. the dance maniac ep reflects the mood of classic underground house music with elements of 90s ghetto house from chicago! nothing more nothing less - or have you already forgotten what you have danced to?....just house!

vinyl only! limited to 100 pieces! its house! – raw and dirty with a touch of jack! mr. adalberto provides three tr-909 driven trax, produced on real hardware for real people. the dance maniac ep reflects the mood of classic underground house music with elements of 90s ghetto house from chicago! nothing more nothing less - or have you already forgotten what you have danced to?....just house!

there has been much speculation about the significance of the mayan system of timekeeping. many researchers on the subject have verified that the mayan long count calendar, which is only one of several advanced timekeeping tools devised by the mayan people, comes to an end on december 21, 2012, with no real clear explanation as to what exactly that signifies. this musical offering is not meant to speculate on the meaning of this date. instead, it serves as a tribute to one of the most astronomically, mathematically and architecturally advanced civilizations in the history of planet earth. each track is a tribute to one of the many mayan spiritual sites known to date.

here we are with the last chapter of kruse & nuernbergs excellent debut album *lets call it a day*. released last fall on lazy days, the album was cherished by the press and topped the digital sales charts of various genres from deep house to nu disco and chill out. remixers so far came in from such great talents as spirit catcher, shur-i-kan and nathan g, this time it is up to mario basanov, wolf + lamb and fred everything.

four releases in now and the quality continues on midnight love club! montel presents the forth release in the shape of 3 heavy duty club cuts with a rather distinct nod to the house sound of 90s nyc/nj. there s not too much info on this montel character, but one thing we do know is that he s a man with a penchant for vintage house & garage. a dj, collector and producer that has decided to give back a little after all these years. and these years of experience are certainly evident in his authentic house and garage sound that has already picked up a fan base that includes bicep, jordan peak and waze & odyssey!

kh - the track ive been playing that people keep asking about and that joy used in his ra mix and daphni played on boiler room

wicked house ep from space ibiza resident jason bye.

one per customer / eine pro kunde ... new levon vincent, you know what to do.

wie der bootsmann auf der scholle sitzt the micronaut inmitten der tosenden klangfluten unserer zeit. mit versonnenem lächeln lauscht er dem rhythmischen murmeln, angelt hin und wieder einen akkord heraus, mischt ihn mit den bunten fantasiefrüchten seines kleinen eilands und kocht daraus sein ganz eigenes süppchen. diesmal serviert er uns einen durchweg lebensbejahenden hörgenuss namens what else, in dem sich männlicher und weiblicher gesang über entspanntem aber erbaulichem groove vereinen. im remix dazu orientiert sich mollono.bass am song-orientierten charakter des originals, bringt das ganze aber etwas mehr den punkt, an welchem der sound auf der tanzfläche optimal ist. die b-seite fischt dann in den gründen des friedfisch, und zieht zwei nie gehörte remixes zum gleichnamigen debütalbum von the micronaut aus der tiefe. da ist zum einen die einlullend-hypnotische dub techno nummer der lake people, die mairenke auf stehendem subbass anrichten. und zum anderen das perlende klangspiel und die sprudelnden, gebrochenen beats von map.aches version der rotfeder

while a series of projects are slated for release under the dirt tech reck banner, the first is the electric street orchestra. its inspiration is from those who are called street people. forgotten people from a forgotten city. it has also steeped in the detroit tradition of ignoring the notion of genre and taking a broad range of elements and inspiration to create something that is both new and familiar. bringing together a constellation of detroits sonic masters. dtr-01 takes urs mad mike and agent chaos, house music king theo parrish, hip hop/house percussionist dez andres, and rock/funk master guitarist duminie deporres, and joins them through the lens of jeedo’s vision of the future

sometimes your creating a declaration of love - automatically. beatamines composed many of those lines for extraordinary, dancing people, for electronic music and the possibility to express himself with tracks like >i said< or >something soul<. his tracks were released on mbf (traumschallplatten), damm records, keno and on his mother-label mangue records. but beatamines does not only work as a solo producer, he also releases tracks with his mate david jach - each number got a place in the charts .he is packing the emotions of a summer love into it, underlined with fat baselines, pregnant claps and magic melodies. we welcome beatamines as new bondage-music member. his first ep on bondage-music comes with the track >tonite< incl. remix from dachshund (highgrade) and the track >wknd< incl. remix from channel x (stil vor talent). early support from mihai popoviciu, pimont, patrick kunkel, tom novy, sis, benno blome, david keno, kiki, anderson noise, sven vaeth, pawas, sasha, acid pauli, robert owens, heartik, aruba, affkt, patrick zigon, someone else, oliver schories